If you want to create a dispersed effect in Photoshop, the core is to master three-step filter operation and layer overlay. The first step is to use dynamic blur to create a diffusion feeling, set the angle to 45 degrees; the second step is to use a "wind" filter to enhance the particle scattering effect; the third step is to achieve spectral separation by offsetting the color channel. Combining smoke, particle materials and brushes enhance the sense of reality, and the effect is naturally integrated through color balance and light and shadow adjustment, and finally achieving high-quality dispersion effect through multi-layer superposition and parameter fine adjustment.
It is actually not difficult to make a "dispersion effect" of color separation in Photoshop, like a spectrum dispersion, the key is to master several core steps and tools. The most common application is to make the edges of objects break or spread, often used in character, text or product design.

Use layer copy filters to create a basic sense of dispersion
The easiest way is to first select the object you want to deal with, such as a character silhouette. Then copy this layer several times and prepare to use it for "scatter" in different directions.

Step 1: Blur the edges
Add a slight dynamic blur to one of the replication layers, set the angle to about 45 degrees, and increase the distance a little, so that it looks like the edge of the object is spreading outward.-
Step 2: Add offset filter
Another copy layer can use the "Oil Painting Effect" or the "Wind" filter under "Stylish", and the orientation is selected from left to right or the opposite, creating a feeling of particles scattering. Step 3: Overlay color channel separation
If you want to imitate the dispersion of light, you can try to offset the red, green and blue channels a little bit respectively and then merge them back. The method is to enter the channel panel, select each color channel individually and move it slightly, and then return to the layer panel to see the color separation effect.
Use brushes and materials to enhance the sense of reality
The effect of pure filters may be a bit fake, and at this time, you need to combine some real texture materials or brushes to enhance the details.
- Prepare some PNG materials for smoke, particles, and cracks, place them on the dispersed area, and change the mixing mode to "brighten" or "overlapping" to appropriately reduce opacity.
- Or use a hard edge brush to manually point out the splashing small particles to simulate the feeling of fragments flying out.
- If you are doing poster-level works, it is recommended to superimpose several layers of different textures and arrange them in an orderly manner to avoid repetition.
Adjust colors and light to make the effect more natural
Finally, don’t forget the overall color tuning, otherwise the dispersed part may appear abrupt.
- Use "color balance" or "gradient mapping" to unify the tones to make the scattered parts and background blend better.
- If the subject itself has highlights and shadows, remember to retain some light and dark changes in the scattered areas, and do not be all flat.
- You can consider adding a slight lens flare or luminous effect to make the entire picture more visually impactful.
Basically these are the operations. The key is not to be in one step, but to slowly stack the sense of layering through multiple layers and fine-tuning parameters. It may feel a bit complicated at the beginning, but if you try it a few more times, you will find that as long as you master the basic logic of filter matching and layer mixing, this effect is actually quite fast.
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