To make the photo have a "movie feel" or a specific color-to-tune style, pre-shooting and post-processing need to be coordinated. The core lies in the control of color, contrast, light and shadow, and a unified understanding of visual style. 1. Clearly identify the "film sense" you want. Different director styles vary significantly, such as Nolan's cold-high contrast, Wong Kar-wai's warm saturation and blue-red contrast, and Coen's brothers' gray-blue low-saturation; it is recommended to find screenshots of movies that like to analyze the tones and atmosphere. 2. The shooting stage leaves space for the post-production to avoid relying on the post-production to save dull images. Use RAW format, appropriate underexposure, concise composition, and enable "Flat" mode to reduce contrast and saturation. 3. Take Lightroom as an example for the post-production color tuning, including basic adjustment (restoring details, increasing shadow pressure highlights), tone separation (highlights are warmer, and shadows are colder), HSL fine-tuning skin tone and ambient colors, loading movie LUT or presets, and flexibly selecting according to the scene. 4. Reference and exercise are crucial. You can search for reference cases of "cinematic color grading" and try multiple styles with the same set of photos. Improve color perception ability through the comparison between the original image and the color adjustment.

If you want the photos to have a "movie feel" or apply a specific color grading style, it is not only a matter of post-production software, but also a need to cooperate with both pre-production shooting and post-production processing. The core lies in the control of color, contrast, light and shadow, and a unified understanding of a certain visual style.

1. Understand what the "movie feel" you want is

The word "movie sense" sounds very general, but the styles of different movies vary greatly. for example:

• Nolan movies (such as Interstellar): Mainly cool tones, high contrast but retain dark details
• Wong Kar-wai's style (such as "Flowers"): Saturation is warmer, with strong contrast of blue and red tones
• Coen Brothers' Works (such as "From the Bloody"): Cold, gray-blue, low saturation

It is recommended that you find a few screenshots of your favorite movies and observe their tone distribution, shadow levels and overall atmosphere, which will help you determine your goals more accurately.

2. Leave room for the shooting stage

Don't expect a dull photo to bring out the movie feel. Pay attention to when shooting:

• Use RAW format: retain more details and facilitate post-adjustment
• A little underexposure: the movie scene is usually darker, and it is more important to retain the highlights
• Control the screen elements: the composition is simple and the background is clean and it is easier to bring emotions into your mood.

If you use your phone or camera to get too bright colors, try using a "Flat" style photo profile when shooting, which can reduce contrast and saturation and leave more room for color tuning.

3. Key steps for later color tuning

Most people use Lightroom, Photoshop or Da Vinci to adjust colors. Here we use Lightroom as an example to illustrate the basic process:

• Basic adjustment : first restore details, appropriately improve shadows, darken highlights, and make the picture more layered
• Tone separation :
  • Highlights are warm (such as orange)
  • The shadow is cold (such as blue)
    This will make the picture more three-dimensional and emotionally tension
• HSL panel fine adjustment : individually adjust skin tone, green plants, blue sky and other colors to make it more suitable for your desire feeling
• Add LUT or presets : Download some movie-style LUT (Lookup Table), import Lightroom or Da Vinci to use, quickly match styles

Tips: Not every film is suitable for the same LUT, it is best to choose according to the scene. For example, night view and sun view may require completely different color tuning logic.

4. Reference and practice are the key

Many people can't express their feelings because there is no clear reference. Suggest you:

• Search "cinematic color grading" on Pinterest or Instagram to see how others adjust it
• Use the same set of photos to try different styles, such as one film and the other film to go through the film style
• Do more comparison exercises: After the original picture vs. color adjustment, gradually cultivate your color perception ability

Basically, that's all. It seems simple, but you still have to practice and read more in real texture.

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