In a detailed feature in The Hollywood Reporter focusing on Disney's executive power dynamics, particularly regarding Lucasfilm, Dave Filoni emerges as a key figure. This excerpt highlights the situation:
"The prevailing strategy involves chief creative officer Dave Filoni and production head Carrie Beck—both seasoned Lucasfilm veterans—taking on co-head positions. Despite being part of Disney, Lucasfilm retains much of its familial nature, and as a protégé of George Lucas, Filoni has always been regarded as a standout."
However, there are criticisms:
"Yet, the criticism leveled against him is that he may be overly immersed in Star Wars lore, potentially guiding shows toward complex mythologies that alienate a wider audience. 'He’s not the Andor guy; he’s the Ahsoka guy,' remarks a Disney insider. While Beck, who joined in 2012, understands the inner workings well, neither she nor Filoni boasts extensive film experience. This gap might be offset by Kathleen Kennedy’s ongoing involvement as a producer on select Star Wars projects, ensuring quality control in the near term."
Many Star Wars enthusiasts have interpreted this as advocating for a Lucas veteran deeply familiar with intricate Star Wars lore. However, the opposing viewpoint isn't invalid. Andor concluded its two-season run as undoubtedly one of the finest Star Wars creations ever. One might anticipate appointing its creator to a senior role, yet that position belongs to Tony Gilroy, who is moving on to new ventures. His most hopeful statement is "never say never," though he’s far from the discussion here.
This "co-head" setup mirrors what DC is doing with James Gunn and Peter Safran, but it’s clearly Gunn leading the charge. The same applies to Filoni.
Filoni has been deeply engaged with The Mandalorian since its beginning, including the upcoming Mandalorian and Grogu film. His personal project, Ahsoka, is the sole Disney series receiving a second season, albeit arriving three years after season one.
Filoni’s challenge lies in his dedicated fanbase, who have followed his work since The Clone Wars and its sequel, Rebels. Much of his contributions within the franchise have focused on integrating these characters into contemporary Disney live-action projects. While great for fans of those shows, they need to stand independently.
Despite this, Filoni appears to be the logical choice given the available options. I’m curious how the success or failure of the upcoming Mandalorian and Grogu film will influence matters, as it epitomizes his brand, having co-written it with director Jon Favreau. There was a point when Favreau was thought to be considered to helm Lucasfilm alongside Filoni, though this idea doesn’t surface in the latest report.
It’s a tense period for Star Wars. Andor is a remarkable accomplishment. It also cost $650 million, with limited viewership, and its talent is dispersing, including Kathleen Kennedy, who championed the series. So, what’s next?
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